Screenwriting Project 1 - AIE2402

Assessment 1: Written draft

Written draft

Assessment 2: Written Assignment

 A self-reflective and critical commentary on intentions, outcomes and creative process which also demonstrates understanding of screen pre-production.

Written Assignment

Assessment 1: Written Assignment

This is a professionalization module where you will collaborate with others to develop a script from initial concept to professional pitch. At the end of the module you will deliver a complete script ready for screen production. You will develop skills in editing and polishing your work to a high standard and will be taught how to pitch your work. You will be expected to research the market for your screenplay and present your findings to the group. As part of this you will be encouraged to develop interdisciplinary collaborations with other students in the Screen Academy studying on the BA (Hons) Film Making, BA (Hons) Screenwriting, BA (Hons) Performance for Screen, and BA (Hons) Music and Sound for Screen courses. You will be expected to behave as though you are seeking to have your script produced as a screenplay. The production of a detailed report explaining your choices, alongside the script you have submitted, is integral to this module.

School of Arts and Humanities

Aronson, Linda (2000). 21st Century Screenplay. Sydney: Allen &amp; Unwin. Cowgill, L. J. (2010). Writing short films: Structure and content for screenwriters. New York: Random House US.
Dancyger, Ken, and Cooper, Patricia (2005). Writing the Short Film. 2nd ed. Burlington, MA: Focal Press.
Field, S. (2005). Screenplay: The foundations of screenwriting (Rev. ed.). New York, N.Y: Delta Trade Paperbacks.
Frensham, Ray (2003) Screenwriting. London: Teach Yourself.
Gates, Tudor (2002) Scenario: the Craft of Screenwriting. London: Wallflower.
Horton, Andrew (1999). Writing the Character-Centered Screenplay. Berkeley: University of California Press.. Johnson, Claudia (2015). Crafting Short Screenplays That Connect. 4th ed. New York: Focal Press.
McKee, Robert (1997). Story: Substance, Structure, Style, and the Principles of Screenwriting. New York: Focal Press. Nash, P. (2012). Short films: Writing the screenplay. Harpenden: Creative Essentials.
Parker, Phillip (1998). The Art and Science of Screenwriting, Bristol: Intellect.
Seger, Linda (2010). Making a Good Script Great. 3rd ed. Beverly Hills: Silman-James Press.
Snyder, B. (2005). Save the cat Michael Wiese Productions.
Snyder, B. (2007). Save the cat goes to the movies Michael Wiese Productions.
Tabb, M. (2018). Prewriting your screenplay: A step-by-step guide to generating stories Taylor and Francis.
Truby, J. (2008). The anatomy of story: 22 steps to becoming a master storyteller. New York: Farrar, Straus and Giroux.
Yorke, J. (. p. (2014). Into the woods: How stories work and why we tell them. London: Penguin Books.
 
Websites
BBC Writers Room  <a href="https://www.bbc.co.uk/writersroom/">https://www.bbc.co.uk/writersroom/</a>
Go Into The Story <a href="https://gointothestory.blcklst.com/">https://gointothestory.blcklst.com/</a>
John August <a href="https://johnaugust.com/">https://johnaugust.com/</a> The Internet Movie Script Database: <a href="https://www.imsdb.com/">https://www.imsdb.com/</a>

English Literature

AIE2402 - Screenwriting Project 1

Screenwriting Project 1

be able to produce (with tutorial support) a substantial script with a practical screen production vehicle in mind. 

be able to demonstrate a clear understanding of the context of pitching a script for screen production.

be able to edit and polish creative work to a high standard.

be able to collaborate with other disciplines / professions involved in pre-production.

be able to effectively communicate the outcomes of creative collaboration and reflect upon the processes involved. These may include how to identify creative partners, how to pitch ideas, and how to present work specific to a particular screen production context or genre.