Models and Theories of Performance Practice 2a - AID2108

Assessment 2: Oral presentation/assessment

One group presentation proposal (c.500 words).

Oral presentation/assessment

Assessment 1: Written assignment (coursework)

One detailed essay abstract (c.500 words)

Written Assignment

Assessment 1: Portfolio

A portfolio typically comprising a small group presentation and an essay.

Portfolio

This module will examine a number of examples of performance practice in contemporary societal contexts, with regard to aesthetic form, artistic intention, the audience, and the community and site where the performance occurs. You will be introduced to relevant theoretical approaches such as theatre semiotics and spectator response theory and engage with current debates in the fields of drama, theatre, and performance. You will draw on examples of contemporary practice in responding to those theoretical approaches and debates.
You will encounter a range of contemporary examples of drama, theatre and performance practice through a series of lectures which will be supported, where possible, by theatre visits, video materials, and other media resources. Lectures will introduce you to the critical and aesthetic contexts in which such work exists, and assessment will focus on your ability to locate specific examples of practice within the relevant critical frameworks.

School of Arts and Humanities

<a href="http://library.hud.ac.uk/my/AID2108">http://library.hud.ac.uk/my/AID2108</a>

Container 1

Drama

AID2108 - Models and Theories of Performance Practice 2a

Models and Theories of Performance Practice 2a

have developed their abilities to work flexibly and imaginatively when faced with a number of challenges.


be able to analyse and interpret evidence in different media related to this body of knowledge.


have developed their abilities to work independently and communicate their research effectively to others.


be able to respond critically, and in an informed way, to contemporary developments and debates within a specific field of practice. 


have a critical awareness of specific theoretical contexts pertaining to the studied performance practices and practitioners.


be familiar with a body of knowledge relating to modern and postmodern performance practices, and with related concerns and trends within the field.
